Shure SM81
Instrument Microphone
The Shure Model SM81 is a high-quality, unidirectional condenser microphone designed for studio recording, broadcasting, and sound reinforcement. Its wide frequency response, low noise characteristics, and low RF susceptibility have made it a standard for applications involving acoustic instruments, especially guitar, piano, and cymbals. The SM81 is ruggedly constructed. It operates on phantom power and performs over a wide range of temperatures and humidity conditions. It is furnished with a swivel adapter, attenuator-switch lock, foam windscreen, and case for carrying and storage. Other accessories are available.
Features
- Uniform cardioid pick-up pattern for maximum gain before feedback and excellent rejection of off-axis sound
- Flat frequency response for accurate reproduction of sound sources; 20 Hz to 20 kHz
- Selectable low frequency response; flat, 6 or 18 dB/octave roll off
- Vinyl-coated steel construction and stainless steel screen resist wear and abuse
- Low noise and high sound pressure level (SPL) handling
- Minimally affected by varying load impedances
- Low susceptibility to RFI
- Lockable 10 dB attenuator switch
- Performs over a wide range of temperature and humidity conditions
- Phantom powered
- Shure quality, ruggedness, and reliability
Power Requirements
This microphone requires phantom power and performs best with a 48 Vdc supply (IEC-61938). However, it will operate with slightly decreased headroom and sensitivity with supplies as low as 11 Vdc.
Most modern mixers provide phantom power. You must use a balanced microphone cable: XLR-to-XLR or XLR-to-TRS.
Selecting Low-Frequency Response
A three-position switch allows you to adjust the low-frequency response of the microphone. Use these settings to reduce wind noise, room noise or proximity effect.
Flat response provides the most natural sound in most applications.
Low-frequency cutoff attenuates 18 dB-per-octave below 80 Hz. Helps eliminate floor rumble and low-frequency room noise from heating and air conditioning systems. This setting may also be used to compensate for proximity effect or to reduce low frequencies that make an instrument sound dull or muddy.
Low-frequency rolloff attenuates 6 dB-per-octave below 100 Hz. Compensates for proximity effect or to reduce low frequencies that could make an instrument sound dull or muddy.
Setting Attenuation
The attenuation switch reduces the signal level from the cartridge by 10 dB without altering the frequency response. This can prevent extremely high SPLs (e.g., close-miked drums and guitar cabinets) from overloading the microphone. To activate attenuation, rotate the switch to the “–10 dB” position.
NOTE: Turning the ring part way does not produce incremental levels of attenuation.
The attenuation switch may be locked in place. Use the following steps:
1. Unscrew the grille and cartridge assembly.
2. Rotate the attenuation switch to the desired position (0 or –10).
3. Insert the ring lock (small, clear piece of plastic) in the area behind the ring between the pin and slot.
4. Replace the grille and cartridge assembly.
Proximity Effect
Unidirectional (cardioid) microphones progressively boost bass frequencies by 6 to 10 dB below 100 Hz when the microphone is at a distance of about 6 mm (1/4 in.) from the sound source. This phenomenon, known as proximity effect, can be used to create a warmer, more powerful sound. To prevent explosive low frequency sound during close-up use, the bass response gradually rolls off. This provides greater control and helps the user take advantage of proximity effect.
Specifications
Type
Electret Condenser
Frequency Response
20 to 20,000 Hz
Polar Pattern
Cardioid
Output Impedance
EIA rated at 150 Ω (85 Ω actual)
Sensitivity
at 1 kHz, open circuit voltage: -45 dBV/Pa[1] (5.6 mV)
Maximum SPL
1 kHz at 1% THD, 1 kΩ load: 136 dB SPL
Signal-To-Noise Ratio
Ref. 94 dB SPL at 1 kHz: 78 dB[2]
Clipping Level
1 kHz at 0.25% THD, 1 kΩ load: -4 dBV (0.63 V)
Hum Pickup
typical, at 60 Hz, equivalent SPL/mOe: -3 dB
Polarity
Positive pressure on diaphragm produces positive voltage on pin 2 with respect to pin 3
Weight
Net: 0.230 kg (0.5 lbs)
Packaged: 0.740 kg (1.625 lbs)
Attenuator Switch
0 or −10 dB, lockable
Connector
Three-pin professional audio (XLR), male
Housing
Steel construction with vinyl metallic paint finish and stainless steel screens
Environmental Conditions
Operating Temperature: -6,7° to 49° C (20° to 120° F)
Storage Temperature: -29° to 74° C (-20° to 165 °F)
Relative Humidity: 0 to 95%
Power Requirements
11 to 52 V DC phantom power (1.2 mA)
[1] 1 Pa=94 dB SPL
[2] S/N ratio is difference between 94 dB SPL and equivalent SPL of self noise, A-weighted
Block Diagram
Typical Frequency Response
Typical Polar Patterns
Overall Dimensions
Accessories
Furnished Accessories
Microphone Clip for AMS26, Beta 181, KSM137, KSM141, MX412, MX418, MX412S, MX418S, MX412SE, MX418SE, SM62, SM63, SM63L, SM63LB, SM81, VP64, VP64A, VP64AL and standard microphone stands |
A57F |
10 dB Attenuator Lock |
34A830 |
Carrying Storage Case |
65A1797 |
Windscreen |
49A111 |
Optional Accessories
Pop-Filter Grille |
A81G |
Gray Large Foam Windscreen for SM81 and SM57 |
A81WS |
Telescoping Tripod Microphone Floor Stand up to 14 ft (4.3 m) with carrying case |
S15A |
Stereo Microphone Adapter |
A27M |
Shock Stopper® Isolation Mount |
A55HM |
25 foot (7.5m) Triple-Flex® Microphone XLR Cable with chrome connectors |
C25F |
Replacement Parts
Cartridge and Grille Assembly for SM81 |
R104 |
Certifications
This product meets the Essential Requirements of all relevant European directives and is eligible for CE marking.
The CE Declaration of Conformity can be obtained from: www.shure.com/europe/compliance
Authorized European representative:
Shure Europe GmbH
Headquarters Europe, Middle East & Africa
Department: EMEA Approval
Jakob-Dieffenbacher-Str. 12
75031 Eppingen, Germany
Phone: 49-7262-92 49 0
Fax: 49-7262-92 49 11 4
Email: info@shure.de
Title | Type | Size | Download |
---|---|---|---|
SM81_specsheets_en-US.pdf | 74.75KB | Download |